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8 January 1836 – 25 June 1912. Most renowned painters.

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WITTE, Emanuel de
The Interior of the Oude Kerk, Amsterdam, during a Sermon

ID: 07274

WITTE, Emanuel de The Interior of the Oude Kerk, Amsterdam, during a Sermon
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WITTE, Emanuel de The Interior of the Oude Kerk, Amsterdam, during a Sermon


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WITTE, Emanuel de

Dutch Baroque Era Painter, ca.1617-1691 Dutch painter. He was one of the last and, with Pieter Saenredam, one of the most accomplished 17th-century artists who specialized in representing church interiors. He trained with Evert van Aelst (1602-57) in Delft and in 1636 joined the Guild of St Luke at Alkmaar, but he was recorded in Rotterdam in the summers of 1639 and 1640. In October 1641 his daughter was baptized in Delft, where he entered the Guild of St Luke in June 1642 and lived for a decade, moving to Amsterdam c. 1652. He began his long career as an unpromising figure painter, as can be seen in the Vertumnus and Pomona (1644) and two small pendant portraits (1648; all Rotterdam, Mus. Boymans-van Beuningen). Jupiter and Mercury in the House of Philemon and Baucis (1647) and a Rembrandtesque Holy Family   Related Paintings of WITTE, Emanuel de :. | Interior with a Woman at the Virginals | Interior of the Oude Kerk in Amsterdam | Interior of a Church | The Interior of the Oude Kerk, Amsterdam, during a Sermon | Interior of the Oude Kerk at Delft during a Sermon |
Related Artists:
CARLEVARIS, Luca
Italian Baroque Era Painter, ca.1665-1731
Bryson Burroughs
1869-1934
STRIGEL, Hans II
German painter, Swabian school (active 1450-1480 in Memmingen). Painter. The panels of the Montfort-Werdenberg Altarpiece and a Deposition mural (1477), fragment of a series in the church at Tiefenbach, Allgäu, are documented as his. They show an artist in the tradition of Hans Multscher, using strongly foreshortened perspectives for an emphatic relaying of realities. In the 1470s he attempted to tone down the contrasts, to organize his figures after the manner of the Master of Sterzing: a change of style shown in the panels of the Mickhausener altar (Budapest, Mus. F.A.) and the Saints and Passion scenes in the Oberhaus-Museum






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